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The Royal Opera
Music Director
Sir Antonio Pappano CVO
Director of Opera
Oliver Mears

Tosca

Cast sheet

Wednesday 11 December 2024

|

7.30pm

Melodramma in three Acts
The 5th performance by The Royal Opera at the Royal Opera House.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

Exceptional philanthropic support from
Royal Opera House Principals Julia and Hans Rausing

Generous philanthropic support from Alan and Caroline Howard

Production generously sponsored by Veuve Clicquot

The role of Scarpia is generously supported by Benoît Savoret

Approximate timings

The performance lasts approximately 3 hours, including two intervals
Act I
50 minutes
Interval
25 minutes
Act II
45 minutes
Interval
25 minutes
Act III
35 minutes
Credits

Music

Giacomo Puccini

Libretto

Giuseppe Giacosa, Luigi Illica

Conductor

Eun Sun Kim

Director

Jonathan Kent

Revival Director

Peter Relton

Designer

Paul Brown

Lighting Designer

Mark Henderson

Cast

Floria Tosca

Chiara Isotton

replaces Sonya Yoncheva

Mario Cavaradossi

SeokJong Baek

Baron Scarpia

Bryn Terfel

Spoletta

Aled Hall

Cesare Angelotti

Ossian Huskinson

Sacristan

Maurizio Muraro

Sciarrone

Jamie Woollard

Gaoler

John Morrissey

Chorus

Royal Opera Chorus

Chorus Director

William Spaulding

Orchestra

Orchestra of the Royal Opera House

Concert Master

Magnus Johnston

Extra Chorus

Sopranos

Joanne Appleby, Jessica Broad, Angela Caesar, Rachel Chapman, Janet Fairlie, Celeste Gattai, Shafali Jalota, Ella Kirkpatrick, Claire Mitcher, Claire Pendleton, Jane Read, Emily Rowley-Jones, Anna Samant

Mezzo-sopranos

Morag Boyle, Mercè Bruguera Abelló, Deborah Davison, Karen Foster, Zoë Haydn, Frances Jellard, Helen Johnson, Lydia Marchione, Clare McCaldin, Deborah Miles-Johnson, Amy Sedgwick, Jennifer Westwood, Sidonie Winter

Tenors

Allan Adams, Phillip Bell, Ed Choo, Jon English, Darrell Forkin, James Geer, Paul Hopwood, Geraint Hylton, Graeme Lauren, David Newman, Richard Reaville, James Scarlett, Andrew Sinclair, Pablo Strong, Alex Wall

Basses

James Birchall, David Campbell, Oliver Gibbs, Ben Knight, John Morgan, Martin Nelson, David Poter-Thomas, Andrew Tinkler, Christopher Thornton-Holmes, Robert Winslade-Anderson

Actors

Harold Addo, Peter Benton, Barry Callan, Peter Cooney, Richard Gittins, Anthony Kurt-Gabel, Dana Myzer Laurence Pasqualini, Jason Sabin, Daniel Swan

Jamie Woollard is a Jette Parker Artist
Children’s Chorus from The Trinity School under Director of Music David Swinson
Production credits

Music preparation

Christopher Willis, André Callegaro, Henry Websdale, Edward Reeve, James Ham, Nicholas Ansdell-evans, Patrick Milne

Assistant Director

Franciska Ery

Italian Language Coach

Isabella Radcliffe

Additional Costume Maker

Becky Davies

André Callegaro and Edward Reeve are Jette Parker Artists

Patron

HM The King

Music Director

Sir Antonio Pappano CVO

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Administrative Director

Cormac Simms

Cesare Angelotti, a Consul of the former Roman Republic, has escaped prison and seeks refuge in the Church of Sant’...

ACT I

Cesare Angelotti, a Consul of the former Roman Republic, has escaped prison and seeks refuge in the Church of Sant’Andrea della Valle. The painter Mario Cavaradossi, a Republican sympathizer working in the church, promises to help him. Angelotti hides as Cavaradossi’s lover Floria Tosca arrives. The lovers’ meeting reveals Tosca’s passionate love and jealousy. When Tosca has gone, Cavaradossi instructs Angelotti to dress in the disguise left for him, and hide at Cavaradossi’s villa. Baron Scarpia arrives at the church. He suspects Cavaradossi of hiding Angelotti. When Tosca returns, Scarpia uses a fan left by Angelotti to make her believe that Cavaradossi is having an affair. Tosca leaves for Cavaradossi’s villa, and Scarpia instructs his assistant Spoletta to follow her and track down Angelotti

INTERVAL
ACT II

Scarpia has arrested Cavaradossi. He summons Tosca to his apartment, and forces her to listen as Cavaradossi is tortured in the next room. Tosca reveals Angelotti’s hiding place. Scarpia condemns Cavaradossi to death but tells Tosca that he will free her lover if she will offer herself to him. In agony, Tosca agrees and Scarpia tells her he will arrange a mock execution. As Scarpia embraces Tosca, she fatally stabs him.

INTERVAL
ACT III

As dawn approaches, Cavaradossi waits for his execution at the top of the Castel Sant’Angelo. Tosca arrives and tells him what she has done. She instructs him on how to pretend to die in the mock execution. When the soldiers shoot, Tosca is impressed with her lover’s acting. But Scarpia has doublecrossed her and Cavaradossi really is dead. As Spoletta’s men arrive to arrest her for Scarpia’s murder, she leaps from the battlements to her death.

Guidance

Suitable for ages 12+
This production contains depictions of violence, sexual assault, implied torture and suicide. There are gunshots in Act III.

Language

Sung in Italian with English surtitles. Captions and translations in English will be displayed on screens above the stage and around the auditorium.
Further information

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

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