The Jette Parker Artists Programme is generously supported by Oak Foundation
Head of Programme
Elaine Kidd
Artistic Director
David Gowland
Administrative, Company and Events Manager
Thomas Marshall
Producer
Catherine Chibnall
Senior Project Co-Ordinator and Access Lead
Elliott Henry
Administrative Assistant and Project Co-ordinator
Isobel Lawson
Baritone
Germán E. Alcántara
Piano
Knut Jacques
Patron
HM The King
Music Director Designate
Jakub Hrůša
Director of Opera
Oliver Mears
Director of Casting
Peter Mario Katona
Administrative Director
Cormac Simms
– Mein Lied ertönt – from Zigeunermelodien No.55 by Antonín Dvořák 1841–1904
– Anakreons Grab – from Goethe...
– Mein Lied ertönt – from Zigeunermelodien No.55 by Antonín Dvořák 1841–1904
– Anakreons Grab – from Goethe-Lieder No.9 by Hugo Wolf 1860–1903
– Rings ist der Wald so stumm und still – from Zigeunermelodien No.55 by Antonín Dvořák
– Die Verlassene – from Italienisches Liederbuch, No. 15 by Joseph Marx 1882–1964
– Bewilderment – from 44 Art Songs and Spirituals by Florence Price 1887–1953
– Night – from 44 Art Songs and Spirituals by Florence Price
– Night Song – from Night Song by H. Leslie Adams 1932–2024
– Nana – from Canciones populares españolas No.5 by Manuel de Falla 1876–1946
– La Maja Dolorosa No.1 – from Tonadillas by Enrique Granados 1867–1916
– La Maja Dolorosa No.2 – from Tonadillas by Enrique Granados
– Asturiana – from Canciones populares españolas No.3 by Manuel de Falla 1876 –1946
– For You There Is No Song – from Five Millay Songs by H. Leslie Adams
– Branch by Branch – from Five Millay Songs by H. Leslie Adams
– Amazing Grace – from Night Song by H. Leslie Adams
– Love Let the Wind Cry...How I Adore Thee by Undine Smith Moore 1904–1989
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
Smoking and vaping are not permitted anywhere on the premises.
The safety of our visitors, staff and artists is our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.
Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.
We rely on your support to make world-class ballet and opera for everyone. With your donations we can ensure a bright future for the Royal Ballet and Opera, bringing communities together and inspiring future generations up and down the country.
For people, not profit.
Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775)