Exceptional philanthropic support from Royal Ballet and Opera Principal Julia Rausing Trust
Generous philanthropic support from Royal Ballet and Opera Friends
Production generously supported by Veuve Clicquot
A co-production with Teatro Real, Madrid and La Scala, Milan
Music
Georges Bizet
Libretto
after Prosper Mérimée’s 1845 novella Carmen
Henri Meilhac, Ludovic Halévy
Spoken text after
Meilhac Halévy and Mérimée
Conductor
Christopher Willis
Director
Damiano Michieletto
Revival Director
Dan Dooner
Set designer
Paolo Fantin
Costume designer
Carla Teti
Lighting designer
Alessandro Carletti
Dramaturg
Elisa Zaninotto
Carmen
Aigul Akhmetshina
Don José
Freddie De Tommaso
Micaëla
Yaritza Véliz
Escamillo
Łukasz Goliński
Zuniga
Jamie Woollard
Frasquita
Marianna Hovanisyan
Mercédès
Jingwen Cai
Dancaïro
Siphe Kwani
Remendado
Ryan Vaughan Davies
Moralès
Ross Ramgobin
Bohemian
Dawid Kimberg
Marchande d'oranges
Louise Armit
Children
Saskia Cheetham, Mille Kenis, Arlo Drage
Actors
Ruth Adams, Peter Cooney, Jamie Francis, Anna Guzak, Daniel Klemens, Audrey Page, Sarah Robinson
Chorus
Royal Opera Chorus
Chorus Director
William Spaulding
Orchestra
Orchestra of the Royal Opera House
Concert Master
Magnus Johnston
Sopranos
Rachel Chapman, Christine Cunnold, Kathryn Jenkin, Hyacinth Nicholls, Natasha Page, Alison Rayner, Elizabeth Roberts, Vanessa Woodfine
Mezzo-sopranos
Jeanette Ager, Jennifer Westwood
Tenors
Phillip Bell, Simon Biazeck, James Geer, John Gyeantey
Basses
Gavin Horsley, James Quilligan
Children's Chorus
Angel Akerele, Georgiana Bamford, Andrei Caprar, Svyatoslav Colotelo, Fabian Crocker Griffiths, Jasmine Essayah, Olivia Ferreira, Felix Flynn, Isla Faulkner, Caren Georgee, Joy Hang Hui, Doga Himmetoglu, Ariana Husain, Anika Jain, Margaret Jin, Euan Langford, Thea Lashbrook, Oskar Lashley Felix Lewis, William Lleshi, Ewan McLatchie, Emilia Ostroumoff, Damian Seth Ramos, Denneyah Reid, Jessica Roulston, Zakariya Safdar, Zurelle Sonson, Daisy Tapper, Dmitrii Voznesenskii, Elsa Zanocco
Music preparation
Susanna Stranders, Leanne Singh-Levett, Christopher Willis
Assistant Directors
Daisy Evans, Madeleine Allegra Brooks
Language Coach
Florence Daguerre de Hureaux
Movement direction
Denni Sayers
Fight Director
Lockhart Ogilvie
Patron
HM The King
Music Director Designate
Jakub Hrůša
Director of Opera
Oliver Mears
Director of Casting
Peter Mario Katona
Associate Director
Netia Jones
Administrative Director
Cormac Simms
Men and women are relaxing in the midday sun. The factory women come out into the fresh air for their afternoon bre...
Men and women are relaxing in the midday sun. The factory women come out into the fresh air for their afternoon break. Among them is Carmen, an independent young woman who sings a song about love. She throws a flower to Don José, a young policeman who is immediately drawn to her. José is distracted by the arrival of Micaëla, a young woman who brings a message from his distant mother.
Micaëla departs, and a quarrel erupts among the factory women. In the fray, Carmen slashes the face of one of her coworkers and is arrested. Alone with Don José, she seduces him and persuades him to set her free. Don José’s superior, Zuniga, reprimands him for letting the prisoner get away.
Carmen is waiting for the return of Don José, who has been imprisoned for helping her escape. The nightclub is the secret meeting place of a group of weapons smugglers known to Carmen. They want her and her friends, Mercédès and Frasquita, to help them on a job that evening, but Carmen refuses: José has been released from prison, and she knows that he will come to her that evening.
The famous bullfighter Escamillo pays a visit to the nightclub and describes the excitement of his sport, and being in the arena. Carmen and Escamillo feel an immediate attraction to one another and share a flirtatious exchange.
Carmen gets the smugglers to leave when she hears José approaching. Their romantic reunion is interrupted by the call to return to headquarters. When José begins to leave, Carmen mocks him. He declares his love for her, explaining how he cherished the flower from their first meeting during his time in prison. Zuniga arrives, looking for Carmen. In a jealous rage, José attacks his commander. The smugglers break up the fight and bundle off Zuniga as their hostage. José realises he has no choice but to join Carmen and the smugglers.
The smugglers are operating from their hideout in the mountains. Don José and Carmen are quarrelling. Her love for him is fading, and she advises him to go and live with his mother. Carmen and her friends begin a series of tarot card readings. Frasquita and Mercédès see a future filled with love and money. Carmen’s cards spell death.
Micaëla has followed José to the smugglers’ hideout. She hides when José challenges an intruder, who turns out to be Escamillo, seeking Carmen. The two men fight and are separated by the smugglers. As Escamillo departs, he invites Carmen to his next bullfight. Micaëla emerges from her hiding place with a message to Don José from his mother: the old lady is dying, and she is desperate for him to return home. He agrees to leave, warning Carmen that they will see each other again.
Accompanied by Carmen, Escamillo prepares for his bullfight while a noisy crowd cheers him outside. Carmen’s friends warn her that Don José is lurking nearby. Unafraid, she waits for him and informs him that their affair is over. He begs her to return to him, but she refuses and asserts her freedom. José kills her.
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